God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and America's Pathological Obsession with Fame • Cinephilia & Beyond

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By Tim Pelan In this age of television wannabes and quick fix celebs, it is fitting to look back at The King of Comedy, Martin Scorsese’s dark comedy of squirming embarrassment—a prescient examination of the modern age’s obsession with fame, and a film he himself acknowledges as a sequel of sorts to Taxi
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
IEEE18/data/word_embeddings/rt-polarity.neg at master · ypeleg
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
King of Comedy (****) A wonderful remark – Ebert Did It Better
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
EXPLORING The King of Comedy (1982)
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
The King of Comedy movie review (1983)
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
EXPLORING The King of Comedy (1982)
God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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God's Lonely Funny Man: Martin Scorsese's 'The King of Comedy' and  America's Pathological Obsession with Fame • Cinephilia & Beyond
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